Join us for a lively conversation between Max Lawton and Mauro Javier Cardenas in celebration of the release of Schattenfroh at Womb House Books.
Our narrator is held in complete darkness and isolation. His endless thoughts are turned into the book we are reading—Schattenfroh—directed by none other than the narrator’s mysterious jailer by the same name. Undulating through explorations of Renaissance art, the German reformation, time-defying esoterica, the printing process in the 16th century, Kabbalistic mysticism, and beyond, Schattenfroh is a remarkable book that, in turn, asks the remarkable of its readers.
Interruptions, breaks, and annotations both buoy and deceive, and endless historical references, literary allusions, and wordplay construct a baroque, encyclopedic quest. Schattenfroh’s publication in English marks a seminal moment in the history of the literary form.
Max Lawton is a translator, novelist, and musician. He has translated many books by Vladimir Sorokin, including Blue Lard (NYRB Classics), Their Four Hearts, and Dispatches from the District Committee (both from Dalkey Archive Press).